The 1980s produced some totally radical slang terms. If prompted, almost anyone in Generations X or Y can spout off their own concoction of half-surfer dude, half-valley girl lingo. (No duh! That’s gnarly!
It's time to play the music
It's time to light the lights
It's time to meet the Muppets on the Muppet Show tonight
It's time to put on makeup
It's time to dress up right
It's time to raise the curtain on the Muppet Show tonight
Why do we always come here?
I guess we'll never know
It's like a kind of torture
To have to watch the show
I’ve always enjoyed working on jigsaw puzzles. I find the challenge of assembling a picture from the mass of jumbled pieces satisfying. Maybe it’s my bent for organization that wants to bring order to chaos and see the task through to a tidy completion. But I faced a different challenge recently when my fellow curator Nic Ricketts and I went to Maine to pack up a collection of 7,500 jigsaw puzzles for The Strong museum.
Do you remember when there was a bit of mystery involved in answering the phone? When you’d pick up the receiver and not know who was on the other end of the line?
On February 11, 2014, the staff at The Strong and the American public learned of the passing of Shirley Temple Black, actor, politician, diplomat, and former U.S. ambassador. Most Americans, however, know Temple as the most popular child star in Hollywood history.
Before the 1950s, American toy manufacturers avoided favorable illustrations of people of color on toys and their packaging.
What’s your favorite toy? I had the chance to talk about some of my favorites from the National Toy Hall of Fame with Gerri Willis on The Willis Report not long ago. The Fox Business network brought me to New York City as part of the lead-in to holiday toy shopping and to remind their viewers about classic toys.
If someone placed a lump of clay in front of you, what would you do? Would you immediately be drawn to pick it up and shape it into something? Would you pass it from hand to hand, simply enjoying the tactile qualities? Perhaps you wouldn’t be inclined to touch it at all, maybe you find the idea of sculpting something daunting. Whatever your choice, in that lump of clay lies an important and undeniable quality: possibility.