The Strong’s historians, curators, librarians, and other staff offer insights into and anecdotes about the critical role of play in human development and the ways in which toys, dolls, games, and video games reflect cultural history.
Play Stuff Blog
Who doesn’t love a good treasure hunt?
Whether we’re children or adults, there’s something irresistible about following a trail of clues (a map makes it easier and more fun) to some hidden cache that promises untold riches. Most often treasure hunts live only in the world of fiction—Treasure Island with its memorable characters Long John Silver, Jim Hawkins, Billy Bones, and Captain Flint—set the mold that has been imitated by countless books and movies such as Raiders of the Lost Ark, National Treasure, and Ready Player One.
Treasure hunts have been on my mind recently for a couple of reasons. First, the owner of Jelly Belly candies announced he was reprising the giveaway from Willy Wonka and the Chocolate Factory by hiding a golden ticket for searchers to find and potentially win a candy factory. Second, I was cleaning out the large supply of children’s books at home and came across my childhood copy of Masquerade, a book that inspired treasure seekers far and wide to try to decipher the messages encoded in the book of the same name. I hadn’t thought about Masquerade in a long time, and it turned out that there was more than one mystery wrapped in this story.
Artist Kit Williams illustrated and authored Masquerade, which was published in 1979, on the dare to make a children’s book that was different than anything that had been done before. In the pictures and text he embedded clues that promised to lead to an 18-carat gold jeweled rabbit that he had buried somewhere in the English countryside. I lived in Connecticut, but it didn’t stop me and my older brother from scouring the book for clues to try and solve the puzzles. We failed of course, but so did everyone else until 1982 when Ken Thompson solved the puzzles and discovered the rabbit.
Ken Thompson then used some of the money and fame associated with it to co-found with John Guard a computer game company, Haresoft. Haresoft’s first and only product was a two-part game called Hareraiser that promised players that embedded in the game were clues to finding the rabbit from Masquerade. The game was universally panned and the company failed. That would seem to be the end of the story.
And yet over time it turned out there was further mystery involved, and like many a good treasure hunt story a rogues’ gallery of suspect characters. It turned out that Ken Thomas was in fact not a real person but a pseudonym for Dugald Thompson. Thompson was the friend of another man, John Guard, the co-founder of Haresoft. Guard had been dating Veronica Robertson, the ex-girlfriend of Kit Williams himself. They discovered the jeweled rabbit with the help of some metal detectors and Robertson’s tip that they should look on Ampstead Hill, a site she had visited with Williams.
Masquerade inspired other true life treasure hunts. In 1982, for example, the book The Secret: A Treasure Hunt put seekers on the quest of 12 treasure boxes supposedly buried around the United States. Not all have been found, so if you feel up to the challenge, you can track this down and perhaps discover the treasure. But watch out for villains along the way, for no true treasure is found easily!
In 2018, The Strong received a donation of thousands of artifacts, including first-edition strategy and simulation games, wargames, and role-playing games from Darwin Bromley, co-founder of Mayfair Games. The artifacts constituted the single largest gift the to the museum’s collection and will help scholars understand the importance and influence of a transitional era in games, charting their effect on the development of contemporary examples and on video games.
Is pinball a game of skill or a game of chance? Most people today would argue it’s a game of skill. The player chooses when to hit the ball with their flippers and some can even aim with deadeye precision at the glitzy little light-up targets that make these games so iconic. But what if we stripped that all away? No lights, no million-point multipliers, and most importantly, no flippers. Is still a game of skill when all you’re armed with is a spring-loaded plunger and the power of gravity?
In the beginning (or at least in the late 19th century), there was film. Capturing moving images and playing them back for astonished audiences at the cinema more than a century ago was magical. Though many people are still familiar with film, which has endured as a medium despite changing technologies, there are plenty of moving image formats which have been rendered obsolete over time and have found their way into the holdings of numerous libraries, archives, and museums.
Jana Rosinski 2018 Strong Research Fellow Syracuse University, NY
Alec S. Hurley, 2018 Strong Research Fellow PhD Student, University of Texas at Austin, Austin, TX
In 2006, when we began our efforts at The Strong to preserve the history of video games, we knew we were onto an important subject, but we did not truly foresee the vast array of challenges that we would face in preserving video games. Over the years as we founded the International Center for the History of Electronic Games (ICHEG) and grew our collection to more than 60,000 video games and related objects we’ve learned quite a bit about how to care for these materials.