Arts and Crafts
Knitting, quilting, and other domestic hobbies appear to have experienced a surge in popularity over the past two decades. Perhaps it is more accurate to state that they have experienced a surge in visibility thanks to social media and other online communities, as the qualities that attract people to domestic hobbies have remained constant for centuries.
Domestic hobbies scratch the play itch—the need for creative expression and for losing yourself in the flow of an activity. In my previous blog, I addressed the therapeutic nature of crafting and the calm that it brings to its practitioners. Creative pursuits can also meet the need for community, for comfort and companionship for the individual and also for the comfort of the greater good, through social causes and charities.
“I knit so I don’t kill people.”
Record low temperatures and un-melting piles of snow kept parents scrambling to entertain house-bound children in the winter of 2015. This winter hasn’t been quite as cold or snowy in Rochester but, just in case the snows return, I’m ready with some practical advice drawn from The Strong’s Brian Sutton-Smith Library and Archives of Play, a research repository devoted to the history of play.
During our training, conservators usually specialize in a specific type of material, such as paper or paintings. As we become professionals, we find ourselves in institutions with diverse collections which requires broad conservation knowledge for all of the artifacts under our care, not just those comprised of our favorite material. Nowhere is this truer than at The Strong, where the museum’s collections range from paper dollhouse furniture to Barbie dolls to coin-operated arcade machines.
The beloved sock monkey is easily recognizable, cute, silly, and soft, but where did it originate?
If someone placed a lump of clay in front of you, what would you do? Would you immediately be drawn to pick it up and shape it into something? Would you pass it from hand to hand, simply enjoying the tactile qualities? Perhaps you wouldn’t be inclined to touch it at all, maybe you find the idea of sculpting something daunting. Whatever your choice, in that lump of clay lies an important and undeniable quality: possibility.